The Inferno

৳ 1.00

লেখক দান্তে আলিঘিয়েরি
প্রকাশক ফিঙ্গারপ্রিন্ট পাবলিশিং
আইএসবিএন
(ISBN)
9788175993884
ভাষা English
পৃষ্ঠার সংখ্যা ২৫৬
সংস্কার 1st edition, 2016
দেশ India

‘Inferno’ Summary of the book
With these words echoing in his head, eminent Harvard symbologist Robert Langdon awakes in a hospital bed with no recollection of where he is or how he got there. Nor can he explain the origin of the macabre object that is found hidden in his belongings.
A threat to his life will propet him and a young doctor, Sienna Brooks, into a breakneck chase across the city of Florence Only Langdon’s knowledge of the hidden passageways and ancient secrets that lie behind its historic facade can save them from the clutches of their unknown pursuers.
With only a few lines from Dante’s dark and epic masterpiece, inferno, to guide them, they must decipher a sequence of codes buried deep within some of the most celebrated artefacts of the Renaissance- Sculptures, paintings, buildings – to find the answers to a puzzle which may, or may not, help them save the world from a terrifying thereat.
Set against an extraordinary landscape inspired by one of history’s ominous literary classics, inferno is Dan Brown’s most compelling and thought-provoking novel yet, a breathless race-against-time thriller that will grab you from page one and not let you go until you close the book.

Durante degli Alighieri (1265 – 1321), was a major Italian poet of the Late Middle Ages. His Divine Comedy, originally called Comedìa (modern Italian: Commedia) and later christened Divina by Boccaccio, is widely considered the greatest literary work composed in the Italian language and a masterpiece of world literature. In the late Middle Ages, the overwhelming majority of poetry was written in Latin, and therefore accessible only to affluent and educated audiences. In De vulgari eloquentia (On Eloquence in the Vernacular), however, Dante defended use of the vernacular in literature.

He himself would even write in the Tuscan dialect for works such as The New Life (1295) and the aforementioned Divine Comedy; this choice, although highly unorthodox, set a hugely important precedent that later Italian writers such as Petrarch and Boccaccio would follow. As a result, Dante played an instrumental role in establishing the national language of Italy. Dante's significance also extends past his home country; his depictions of Hell, Purgatory, and Heaven have provided inspiration for a large body of Western art, and are cited as an influence on the works of John Milton, Geoffrey Chaucer and Alfred Tennyson, among many others. In addition, the first use of the interlocking three-line rhyme scheme, or the terza rima, is attributed to him.


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